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Sans Superellipse Otdat 2 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Godiva' by Suby Studio (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, branding, industrial, retro, assertive, utilitarian, techy, compact impact, geometric cohesion, display clarity, distinct texture, signage feel, condensed, rounded, squared, modular, stencil-like.


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A condensed sans with a heavy, even stroke and a distinctly rounded-rectangle construction. Curves resolve into superellipse-like corners, giving bowls and counters a squarish softness rather than true circularity. Terminals are mostly flat and abrupt, with occasional notched or inset joins that create a subtly segmented, almost cut-in feel in letters like K, M, N, X, and Y. The overall rhythm is tall and compact, with tight sidebearings, consistent vertical stress, and simplified, geometric forms across caps, lowercase, and numerals.

Best suited to display settings where its condensed width and heavy presence can work as a strong typographic voice—posters, headlines, labels, and signage. It can also serve as a distinctive branding typeface for products or interfaces that want a sturdy, engineered look, especially at medium to large sizes where the cut-in details read clearly.

The font projects a strong, functional tone—part retro-industrial signage, part streamlined tech display. Its rounded-square geometry feels engineered and modernist, while the condensed proportions and blunt endings add a confident, no-nonsense presence.

The design appears intended to deliver maximum impact in a compact footprint, using rounded-rectangle geometry to stay friendly while remaining structural and bold. The small notches and squared counters suggest an aim for a distinctive, modular texture that differentiates it from more neutral grotesques.

Distinctive superelliptic bowls show up clearly in O/0 and in rounded stems like U and J, helping maintain a cohesive “soft-square” theme. Several glyphs use intentional interior cuts or small corner bites that add character and improve separation at display sizes. Numerals match the letterforms closely, with compact, sturdy shapes that favor uniform color over delicate detailing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸