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Free for Commercial Use

Sans Rounded Utba 10 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Izmir' by Ahmet Altun, 'Boodle' by Ckhans Fonts, 'Grupi Sans' by Dikas Studio, 'Clintone' by Jinan Studio, and 'Eloque' by Prestigetype Studio (names referenced only for comparison).

Keywords: headlines, posters, packaging, kids, stickers/labels, playful, friendly, bubbly, casual, youthful, friendly display, playful branding, high impact, approachability, soft, chunky, rounded, cartoonish, cheerful.


Free for commercial use
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A heavy, rounded sans with soft, fully curved terminals and a consistently thick stroke throughout. Forms are built from broad, pill-like strokes with generous corner radii, producing a smooth, inflated silhouette rather than crisp geometry. Counters are compact and often slightly asymmetrical, and several joins lean into blobby, hand-drawn shaping (notably in diagonals and branching letters) for an informal rhythm. The lowercase uses single-storey a and g, with short, sturdy ascenders and descenders that keep the overall texture dense and highly legible at display sizes.

Best suited to short, attention-grabbing text such as headlines, posters, product packaging, labels, and playful brand marks. It works especially well in kid-oriented or casual contexts where a soft, friendly voice is desired, and where strong silhouettes matter more than fine detail.

The font communicates warmth and approachability, with a toy-like, bubbly tone that feels lighthearted and conversational. Its soft shapes and compact counters give it a friendly, comedic energy that suits upbeat messaging rather than formal or technical content.

The design appears intended to deliver maximum friendliness and impact through thick, rounded strokes and simplified, approachable letterforms. It prioritizes a soft, playful display texture that stays readable while projecting an upbeat personality.

Numerals are bold and rounded with simplified structures that prioritize impact over precision. The overall spacing and letterfit read as intentionally tight and chunky, reinforcing a poster-like presence and a strong silhouette in short phrases.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸