Sans Superellipse Osrol 7 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Outlast' by BoxTube Labs, 'EFCO Fairley' by Ephemera Fonts, 'Pierce Jameson' by Grezline Studio, 'Herchey' by Ilham Herry, 'Forgotten Futurist' by Typodermic, 'Radley' by Variatype, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, logos, posters, sports branding, product packaging, industrial, techno, sporty, assertive, retro, impact, brand voice, modularity, signage, squared, rounded corners, compact, stencil-like, high contrast (figure/wh.
A heavy, geometric sans built from squared forms with generously rounded corners. Curves resolve into soft superellipse-like bowls, while terminals are predominantly flat and horizontal, giving many letters a cut, modular feel. Counters are tight and often rectangular, and the joins are sturdy and blunt, producing strong black shapes with minimal interior space at smaller sizes. The uppercase is tall and blocky, while the lowercase keeps simple, single-storey constructions and short, thick extenders for a compact rhythm.
Best suited to large-scale settings where its dense, rounded-square shapes can read cleanly: headlines, display typography, wordmarks, and packaging. It can also work well in sports or tech-adjacent branding, UI banners, and promotional graphics where a sturdy, engineered feel is desirable.
The overall tone is bold and utilitarian, evoking engineered signage and sporty, performance-minded branding. Its rounded-square geometry adds a friendly touch, but the clipped terminals and dense silhouettes keep the voice firm and industrial. The result feels both retro-digital and contemporary, suited to attention-grabbing headlines.
The design appears intended to translate an industrial, modular aesthetic into a friendly geometric sans by combining squared construction with softened corners. The clipped terminals and tight counters suggest a focus on impact and distinct letterforms in short, bold statements rather than extended reading.
Several glyphs show distinctive notches and cut-ins (notably in B, R, S, and some lowercase), creating a subtle stencil/slot effect that increases character and differentiation. Numerals and capitals are especially punchy, with wide horizontals and restrained apertures that emphasize solidity over delicacy.