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Free for Commercial Use

Serif Other Erzu 2 is a very bold, very wide, very high contrast, upright, normal x-height font.

Keywords: posters, headlines, branding, signage, packaging, stencil, poster, heritage, authoritative, industrial, impact, stencil effect, vintage display, distinctive texture, signage clarity, bracketing, flared, incised, notched, cutout.


Free for commercial use
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This typeface features heavy, high-contrast strokes with sharp triangular ink traps and distinctive internal cutouts that read like a stencil-style split running through many counters and joins. Serifs are pronounced and often flared or wedge-like, creating an incised, carved impression rather than a slab feel. Curves are broad and geometric, while terminals and joins show deliberate notching and tapering that adds rhythm and texture across words. Overall spacing and widths feel expansive, with strong black shapes that hold together best at display sizes.

Best suited for posters, headlines, titles, and branding where the dramatic cutout details and strong contrast can be appreciated. It can work well for packaging, labels, and signage that benefit from a classic-yet-industrial decorative serif voice. For longer passages, larger sizes and generous line spacing help preserve clarity around the internal splits and notches.

The font communicates a bold, declarative tone with a utilitarian edge, balancing classic serif authority with a decorative, engineered cutout motif. It evokes signage, stamped or cut lettering, and vintage poster typography, giving text a confident, slightly rugged presence.

The design appears intended to merge traditional serif structures with a stencil-like, carved-through treatment, creating a distinctive display face that feels both historic and engineered. Its wide, weighty forms prioritize impact and recognizability, with decorative cutouts providing a signature texture for attention-grabbing typography.

The signature split/cut motif is consistent across uppercase, lowercase, and numerals, producing recognizable silhouettes but also introducing busy interior shapes in dense text. Round letters like O, Q, and 8 emphasize the central divide, while diagonals (V, W, X, Y) sharpen the angular personality. Numerals are robust and graphic, matching the uppercase’s weight and contrast.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸