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Sans Normal Opbal 3 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Galvani' by Hoftype; 'Kirshaw' by Kirk Font Studio; 'SST', 'SST Arabic', and 'SST Vietnamese' by Monotype; 'Interval Next' by Mostardesign; 'Core Sans N SC' and 'Core Sans NR' by S-Core; and 'Adora Normal PRO' by preussTYPE (names referenced only for comparison).

Keywords: headlines, branding, posters, ui labels, signage, modern, confident, clean, friendly, corporate, clarity, impact, versatility, modernity, geometric, monoline, rounded, high legibility, tight apertures.


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A heavy, monoline sans with largely geometric construction and smooth, rounded curves. Strokes are uniform with minimal contrast, terminals are clean and square-cut, and counters are generally open but somewhat tight in letters like S and e. The uppercase set is broad and steady with simple, near-circular C/O forms, while the lowercase shows single-storey a and g, a compact t with a short crossbar, and a sturdy, straight-shouldered n/m. Numerals are robust and simple, with a rounded 0 and compact, blocky 2–3 shapes, giving the design a consistent, contemporary rhythm across text and display sizes.

Best suited to headlines, brand marks, and campaign typography where strong, clean shapes need to read quickly. It can also work for UI labels and signage thanks to its simple construction and steady proportions, especially at medium to large sizes where the rounded geometry remains clear.

The overall tone is modern and dependable, projecting clarity and strength without feeling overly technical. Its rounded geometry and even rhythm lend a friendly, approachable voice, while the dense weight and simplified shapes add confidence and authority for branding-led typography.

Likely designed as a contemporary, no-nonsense sans that balances geometric simplicity with everyday readability. The uniform stroke weight and uncomplicated forms suggest an intent to deliver a versatile workhorse for modern identities, editorial display, and interface-forward applications.

The design emphasizes straightforward silhouettes and consistent stroke logic, favoring broad curves and firm verticals over calligraphic nuance. Spacing appears comfortable in text settings, and the sturdy shapes keep wordforms stable in large headlines where the font’s geometric personality is most apparent.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸