Sans Superellipse Lonuh 10 is a regular weight, wide, monoline, upright, normal x-height, monospaced font.
Keywords: ui text, coding, terminal, dashboards, labels, techy, utilitarian, clean, retro-digital, friendly, clarity, consistency, screen use, system styling, grid alignment, rounded, squared-off, soft terminals, open counters, uniform rhythm.
This typeface is built from uniform strokes with generously rounded corners and squared, superellipse-like bowls. Letterforms sit on a steady grid with even spacing and consistent sidebearings, producing a calm, mechanical rhythm. Curves are simplified into rounded-rectangle geometry, and terminals tend to end bluntly with softened corners. Numerals and caps share the same sturdy, modular construction, with clear interior space and minimal contrast throughout.
It works well where alignment and predictable character widths matter, such as coding environments, terminals, data displays, tables, and UI components. The rounded geometry also suits product interfaces, device screens, wayfinding-style labels, and compact captions where a clean, steady texture is preferred.
The overall tone feels technical and straightforward, like interface lettering designed to be read quickly. Its softened corners add approachability, balancing the structured, engineered feel with a mild friendliness. The result leans toward a contemporary UI or retro-terminal mood rather than expressive or decorative typography.
The design appears intended to deliver a highly consistent, grid-compatible reading experience with a modern geometric voice. By combining simplified rounded-rectangle forms with uniform stroke behavior, it aims for clarity and repeatability across letters and numbers, emphasizing practicality over calligraphic nuance.
Round letters such as O, D, and Q read as squarish ovals, reinforcing a geometric, system-like voice. Diacritics are not shown; punctuation in the sample appears crisp and consistent with the same rounded-rectilinear logic. The sample text shows stable texture across lines, with little visual “color” variation due to the uniform stroke and spacious internal counters.