Sans Superellipse Mida 12 is a very bold, normal width, monoline, upright, normal x-height font visually similar to '3x5' by K-Type and 'Molitor' by S&C Type (names referenced only for comparison).
Keywords: headlines, logotypes, posters, packaging, app ui, futuristic, playful, techy, friendly, retro, display impact, friendly tech, modular geometry, brand voice, rounded, geometric, modular, soft, chunky.
A heavy, rounded geometric sans with monoline strokes and a superellipse-driven construction. Corners are generously radiused and terminals are mostly blunt, producing compact, pill-like counters and a smooth, modular rhythm. Many glyphs rely on rounded-rectangle bowls and squared curves, giving the design a consistent, engineered feel; curves transition with minimal contrast and a steady stroke weight. The lowercase shows simple single-storey forms and short, rounded joins, while the numerals and punctuation echo the same softened, blocky geometry for a cohesive set.
Best suited to display use such as headlines, branding marks, packaging, and poster typography where its chunky rounded geometry can read clearly and set a strong tone. It can also work for UI titles, buttons, and labels in tech-forward products, especially at medium-to-large sizes where the counters remain open enough for comfortable reading.
The overall tone is upbeat and contemporary, with a distinctly synthetic, interface-like character. Its rounded squareness reads friendly rather than aggressive, while the dense black shapes and modular curves suggest modern tech, sci‑fi, and retro-digital references. The result feels confident and graphic, suited to attention-grabbing, personality-forward typography.
The design appears intended to translate rounded-rectangle geometry into a cohesive alphabet that feels both playful and engineered. By keeping strokes uniform and emphasizing superellipse bowls and softened corners, it aims for a modern display voice that stays highly legible in short strings while delivering a distinctive, digital-friendly personality.
Round counters and tight apertures can make interior spaces feel small at modest sizes, so the design tends to look best when given room to breathe. Its consistent rounding and thick joins create strong word shapes, but the same features can reduce clarity in longer text blocks.