Stencil Tima 4 is a very bold, very wide, low contrast, upright, normal x-height font.
Keywords: posters, headlines, logotypes, packaging, signage, industrial, sci-fi, tactical, techno, futuristic, stencil branding, industrial labeling, futuristic display, impact titles, systematic geometry, geometric, modular, rounded corners, segmented, all-caps friendly.
A heavy, blocky stencil with geometric construction and softly rounded corners. Strokes are uniform and low-contrast, with frequent, consistent breaks that form clear stencil bridges across bowls and counters. Letterforms are wide and horizontally oriented, with squared-off terminals, simplified curves, and a modular rhythm that keeps shapes compact and highly graphic. The lowercase follows the same engineered logic as the uppercase, with short ascenders/descenders and a sturdy, monoline feel; numerals echo the same segmented, cut-out structure.
Best suited to display settings where the stencil breaks and wide proportions can be appreciated—posters, covers, branding, packaging, and bold signage. It also fits interfaces or motion graphics that aim for an industrial or futuristic voice, particularly in short phrases, labels, and titling.
The overall tone is utilitarian and engineered—suggesting industrial labeling, equipment markings, and a tech-forward, sci-fi sensibility. Its bold, broken shapes feel assertive and tactical, with a slightly retro-futurist edge driven by the rounded, modular stencil cuts.
The design appears intended to deliver a robust stencil aesthetic with a clean, modernized geometry—balancing hard industrial cues with rounded, approachable corners. Its segmented construction prioritizes impact and recognizability in display contexts while maintaining a consistent, system-like visual logic across the alphabet and numerals.
Internal cutouts are prominent and repeat across many glyphs, creating strong negative-space patterns that read well at larger sizes. At smaller sizes, some characters may require generous tracking to keep the stencil breaks from visually closing up, especially in dense text.