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Free for Commercial Use

Wacky Kusy 5 is a very bold, normal width, very high contrast, upright, normal x-height, monospaced font.

Keywords: posters, headlines, logos, packaging, game ui, industrial, techno, stenciled, playful, futuristic, texture-led display, modular system, sci-fi styling, stencil effect, modular, geometric, rounded corners, segmented, gridlined.


Free for commercial use
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This typeface is built from chunky, modular letterforms with rounded outer corners and squared interior counters. Each glyph appears subdivided by a subtle internal grid, creating segmented blocks and occasional slit-like gaps that read like stencil bridges or tile seams. Strokes are largely uniform and rectilinear, with curves simplified into quarter-round terminals and bowl shapes that stay tightly controlled. The overall rhythm is mechanical and cell-based, giving the alphabet a constructed, kit-of-parts feel across capitals, lowercase, and numerals.

Best suited to display settings where the segmented texture can read as a deliberate graphic motif—posters, titles, brand marks, packaging, and tech-leaning or game-related UI elements. It works particularly well at larger sizes where the internal grid and stencil-like breaks remain crisp and intentional.

The internal gridding and segmented construction give the font a techno-industrial flavor, like lettering cut from panels or assembled from modular tiles. At the same time, the softened corners and quirky cut-ins add a wry, game-like personality that feels experimental rather than strictly utilitarian. The tone lands between sci‑fi interface lettering and playful, engineered display type.

The design appears intended to turn a simple geometric skeleton into a distinctive surface treatment, using a consistent internal grid to make each character feel engineered and modular. The goal seems to be strong visual impact and a recognizable texture in short phrases rather than traditional text readability.

The grid seams are visually prominent and become part of the texture in running text, producing a patterned, almost tiled “screen” effect. Counters tend to be compact and squared, and some joins are intentionally interrupted, which increases visual interest but also makes the font feel more decorative and coded than conventional. Numerals follow the same segmented logic and maintain the same blocky, constructed presence as the letters.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸