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Free for Commercial Use

Sans Rounded Ukgy 2 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Artegra Soft' by Artegra, 'Klik' by Fenotype, 'Knicknack' by Great Scott, 'Otter' by Hemphill Type, and 'Aristotelica Pro' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, kids, branding, playful, friendly, cheerful, chunky, soft, approachability, display impact, playfulness, softness, informality, bubbly, bouncy, rounded, blunt, compact.


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A heavy, rounded sans with smooth, blunted terminals and a consistently thick stroke. Counters are compact and often slightly pinched, creating a dense, “puffy” silhouette that stays readable at display sizes. Curves are dominant throughout, corners are generously radiused, and joins are softened to avoid sharp angles, giving letters a molded, cushiony feel. Lowercase forms are simple and closed-in, with single-storey structures and stout proportions that emphasize solidity over fine detail.

Best used for headlines, short statements, and high-impact display settings where its rounded heft can read clearly—such as posters, playful branding, product packaging, and kid-oriented materials. It can also work for logos and badges where a soft, friendly presence is desirable, but it is less suited to dense body text due to its compact counters and strong visual weight.

The overall tone is upbeat and approachable, with a toy-like softness that reads as informal and inviting. Its chunky rhythm and rounded shapes suggest friendliness and humor rather than precision or seriousness, making it feel well-suited to youthful or lighthearted messaging.

This design appears intended to deliver a soft, approachable display voice with maximum presence. By combining uniform heavy strokes with fully rounded terminals and compact interiors, it aims to feel bold without aggression and playful without becoming overly decorative.

The numerals match the letterforms with similarly rounded geometry and compact counters, maintaining a cohesive color in mixed alphanumeric settings. In the sample text, the bold massing and tight interior space make it most effective when given ample size and breathing room, especially for longer lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸