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Free for Commercial Use

Serif Flared Udba 12 is a bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Acumin' by Adobe, 'Tungsten' by Hoefler & Co., 'Bilcase' by Ilham Herry, and 'Pearson Neue' by Ironbird Creative (names referenced only for comparison).

Keywords: headlines, posters, mastheads, book covers, branding, editorial, dramatic, classic, authoritative, condensed, space saving, headline impact, editorial voice, classic authority, flared serifs, vertical stress, bracketed feel, high-waisted, compact spacing.


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A tightly condensed serif with sturdy, nearly monoline strokes and pronounced flaring at stroke terminals. The letterforms are tall and compact, with a high x-height and short ascenders/descenders that keep lines of text dense. Serifs read as tapered wedges rather than slabs, and many joins show a subtly sculpted, bracket-like transition into stems. Counters are narrow and vertically oriented, producing a strong columnar rhythm and crisp silhouette in both caps and lowercase.

Best suited for headlines, mastheads, posters, and cover typography where space is limited but strong presence is needed. It can also work for branding and title treatments that benefit from a classic, editorial look, especially in narrow columns or stacked layouts.

The overall tone is assertive and traditional, with a newspaper-headline confidence and a slightly theatrical emphasis from the flared terminals. It feels serious and authoritative, leaning toward editorial and institutional communication rather than casual or playful settings.

The design appears intended to deliver maximum impact in a compact width, combining traditional serif structure with flared terminals to keep forms strong and recognizable. Its proportions and dense typographic color suggest a focus on display and editorial titling, prioritizing authority, economy of space, and a bold, classic voice.

Capitals are especially imposing due to the condensed width and heavy top/bottom presence, while lowercase remains highly legible at display sizes because of the tall x-height. Numerals are robust and compact, matching the vertical, space-efficient texture of the alphabet. In running text, the narrow apertures and dense color create a strong, high-impact typographic voice.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸