Inline Fipi 10 is a light, very wide, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, packaging, album art, futuristic, technical, retro, digital, architectural, tech branding, sci‑fi tone, display impact, geometric construction, geometric, monoline, rectilinear, outlined, squared.
A geometric, rectilinear display face built from thin, monoline strokes with consistent inline channeling that creates a hollow, double-stroke effect. Letters favor squared bowls and corners, with occasional diagonal joins for A, K, M, N, V, W, X, and Y, giving the design a constructed, blueprint-like feel. Curves are largely suppressed into rounded-rectangle geometry, counters are open and angular, and spacing reads airy due to the open interior and low stroke mass. The overall rhythm is modular and linear, with simple terminals and a clean, schematic silhouette across caps, lowercase, and figures.
Well-suited to large headlines, branding marks, and short phrases where the inline outline can be appreciated. It fits technology, gaming, electronic music, and sci‑fi themed graphics, and can add a schematic accent to packaging or editorial callouts when used sparingly.
The inline outline treatment and boxy construction evoke sci‑fi interface lettering and late‑20th‑century techno graphics. Its crisp, mechanical cadence feels engineered and modernist, with a retro-digital edge that reads as neon-tube or circuit-trace styling rather than traditional print typography.
The font appears intended as a stylized display alphabet that translates geometric signage forms into an inline, hollowed construction. Its consistent modular strokes and squared proportions aim to deliver a distinctive techno identity while keeping letterforms recognizable through simplified, architectural geometry.
The sample text suggests best performance at display sizes, where the inline gaps remain distinct and the squared counters stay legible. The design’s strict rectilinear logic gives it strong logo presence, but the open construction can make dense paragraphs feel busy if set too small or too tightly tracked.