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Free for Commercial Use

Sans Normal Osgod 11 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Neue Frutiger Arabic', 'Neue Frutiger Georgian', 'Neue Frutiger Hebrew', 'Neue Frutiger Thai', and 'Neue Frutiger Vietnamese' by Linotype; 'Neue Frutiger World' by Monotype; 'Belle Sans' by Park Street Studio; and 'Core Sans N SC' and 'Core Sans NR' by S-Core (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, modern, friendly, headline, impact, clarity, modernity, approachability, geometric, rounded, compact joins, large counters, blocky.


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This typeface is a heavy, geometric sans with broad proportions and smooth, rounded curves. Strokes are consistently thick with minimal modulation, giving letters a solid, even color in text. Round characters like C, O, and G are built from near-circular bowls, while straights (E, F, H, N) are clean and uniform, with squared terminals. Lowercase forms are simple and sturdy: single-storey a and g, a tall ascender on b/d/l, and a compact, straightforward ear/arm treatment on letters like r and t; dots on i/j are round and prominent. Numerals are similarly robust, with large interior counters and clear, open shapes that match the overall geometry.

It performs best in display contexts where mass and clarity matter: headlines, posters, storefront or wayfinding signage, and bold brand statements. The sturdy lowercase and open counters also suit short marketing copy, product packaging, and UI moments like section headers where a strong typographic hierarchy is needed.

The overall tone is bold and approachable, combining a contemporary, engineered feel with friendly roundness. Its strong presence reads as confident and promotional rather than delicate or formal, making it feel direct, upbeat, and attention-oriented.

The design intention appears to be a straightforward, high-impact geometric sans that stays legible while delivering a strong visual punch. It prioritizes uniform weight, simple construction, and clean curves to create an assertive yet approachable voice for contemporary communication.

Spacing appears generous enough to prevent the heavy strokes from clogging, and the large counters help maintain clarity at display sizes. Diagonals (K, V, W, X, Y) are chunky and stable, reinforcing a dense, impactful texture across lines of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸