Sans Superellipse Oggah 7 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'EB Corp' by Eko Bimantara, 'Demo' by Indian Type Foundry, 'Noli' by Monotype, and 'Obvia' by Typefolio (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, app ui, modern, friendly, industrial, techy, sturdy, impact, approachability, clarity, systematic geometry, rounded, soft corners, compact, blocky, geometric.
A heavy, compact sans with rounded-rectangle construction throughout. Curves resolve into broad superelliptical bowls and terminals, while corners are consistently softened, producing a chunky, monoline look. Counters are relatively tight and apertures are restrained, giving the face a dense, punchy texture in text. The lowercase shows simple, single-storey forms and short extenders, and the figures follow the same rounded, squared-off geometry for a cohesive rhythm across letters and numbers.
Best suited to display settings where mass and shape are advantages: headlines, short blocks of copy, logos, packaging, signage, and product/UI labels. It also works well for tech, tools, and consumer goods branding where a sturdy, rounded aesthetic supports clarity and presence.
The overall tone is contemporary and approachable, balancing a utilitarian, engineered feel with softened edges. Its rounded squareness reads confident and durable rather than sharp or delicate, lending a friendly “hardware/tech” personality that still feels straightforward and legible.
The design appears intended to deliver maximum impact and consistency through a rounded-rectangular, geometric system—combining a contemporary, engineered silhouette with softened corners for approachability and broad usability in branding and interface contexts.
The design’s signature is its consistent superellipse logic: round forms look more like rounded boxes than circles, and joins stay broad and stable. This creates strong silhouette recognition at a distance, while the dense counters and compact proportions can make long passages feel visually heavy at smaller sizes.