Sans Superellipse Ofbon 1 is a bold, normal width, monoline, upright, normal x-height, monospaced font visually similar to 'Realtime' and 'Realtime Rounded' by Juri Zaech and 'Vin Mono Pro' by Mint Type (names referenced only for comparison).
Keywords: ui labels, code samples, dashboards, packaging, posters, techy, utilitarian, industrial, friendly, clarity, consistency, system look, approachability, rounded, squared, geometric, compact, high-contrast (figure/wh.
A compact, rounded-rectangle sans with uniform stroke weight and softened corners throughout. Curves tend to resolve into squarish bowls and superelliptical counters, giving letters a sturdy, engineered feel rather than a calligraphic one. Terminals are blunt and consistently rounded, joins are clean, and spacing follows an even, gridlike rhythm that keeps words highly regular in texture. Numerals share the same squarish curves and consistent stroke behavior, matching the alphabet closely for a cohesive system look.
Works well for UI labels, navigation, dashboards, and other dense information settings where consistent alignment and regular rhythm are helpful. Its robust, rounded geometry also suits brand accents on packaging, signage, or posters that want a technical but approachable voice, and it can serve effectively in code-style or tabular presentations where even character spacing supports scanning.
The overall tone is practical and modern, with a subtle friendliness from the rounded corners. It reads like a functional interface type: straightforward, orderly, and slightly retro-digital without becoming decorative. The steady cadence and boxy curves suggest reliability and clarity, suited to technical contexts.
The design appears intended to provide a clean, systemlike reading experience with a distinctive rounded-rect geometry. By keeping strokes uniform and corners softened, it balances mechanical precision with warmth, aiming for clarity, consistency, and strong on-screen presence.
Distinctive squarish bowls and rounded shoulders create recognizable silhouettes, especially in letters like B/D/O/P and in the figures. The punctuation and short elements (like the i/j dots) appear as compact, squared forms that reinforce the geometric theme.