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Free for Commercial Use

Sans Normal Imnak 4 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Omnipop' by Fenotype, 'Mikado' by HVD Fonts, 'Linotte' by JCFonts, 'Corkboard JNL' by Jeff Levine, 'Mithella' by Lafontype, 'Hupaisa' by Melvastype, and 'Betm Rounded' by Typesketchbook (names referenced only for comparison).

Keywords: headlines, posters, packaging, kids, stickers, playful, friendly, chunky, bubbly, casual, playful branding, soft impact, friendly display, youth appeal, rounded, soft, bulky, compact, cartoonish.


Free for commercial use
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A heavy, rounded sans with inflated, pillow-like forms and smoothly blunted terminals throughout. Strokes are uniformly thick with minimal modulation, and counters tend to be compact, giving letters a dense, solid color on the page. Curves dominate the construction, with softly squared moments where strokes meet, and a generally compact, bouncy rhythm. The lowercase shows simple, single-storey structures and short, rounded extenders; figures are similarly bulbous with broad curves and small apertures.

Best suited to display settings such as headlines, posters, packaging, labels, and social graphics where a friendly, bold presence is desired. It performs especially well for children’s themes, playful branding, and short callouts, and is less suited to long-form reading at small sizes due to its dense interiors.

The overall tone is cheerful and approachable, with a toy-like softness that reads as humorous and informal rather than technical or corporate. Its chunky silhouettes and tight counters create an energetic, attention-grabbing voice suited to lighthearted messaging.

The design appears intended to deliver maximum warmth and impact through rounded geometry and thick, even strokes, prioritizing personality and visibility over fine-detail legibility. It aims for a fun, contemporary “bubble” aesthetic that feels inviting and approachable in branding and display typography.

At text sizes the strong weight and compact counters can reduce interior clarity, while at larger sizes the distinctive rounded geometry and bouncy spacing become a key stylistic feature. The numerals and capitals maintain the same cushioned feel, supporting consistent display use across headings and short lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸