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Free for Commercial Use

Sans Normal Muduh 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Jali Arabic', 'Jali Greek', and 'Jali Latin' by Foundry5; 'Akagi' and 'Akagi Pro' by Positype; 'Akwe Pro' by ROHH; and 'Bartosh' by jpFonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, signage, friendly, retro, playful, punchy, approachable, display impact, friendly branding, retro flavor, high visibility, rounded, soft corners, chunky, compact, bubbly.


Free for commercial use
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A heavy, rounded sans with compact proportions and softly squared curves. Strokes are consistently thick with minimal modulation, producing solid, blocky counters and a high-ink, poster-ready texture. Terminals are blunt and gently softened, while joins stay sturdy and slightly condensed in tight spots (notably in diagonals and bowls), giving the alphabet a cohesive, chunky rhythm. Lowercase forms are simple and sturdy, with single-storey a and g, a short-armed r, and a compact t; numerals are similarly broad and robust with rounded inner shapes and clear, stable silhouettes.

Works best in large-scale applications where mass and silhouette carry the message—headlines, posters, storefront signage, and bold packaging. It also fits logo wordmarks and branded titles that benefit from a friendly, retro-forward voice. For long text or small sizes, more spacing and shorter line lengths will help preserve legibility.

The overall tone is warm and playful, with a retro sign-paint and mid-century display feel. Its exaggerated weight and rounded construction read as friendly and informal, projecting confidence without sharpness or aggression. The rhythm feels bouncy and energetic, suited to attention-grabbing messages and upbeat branding.

The font appears designed to deliver maximum visual impact with a genial, rounded personality. Its consistent heavy strokes and compact forms prioritize bold presence and quick recognition, aiming for display use where warmth and playfulness are desirable.

Curved letters show generous rounding and slightly tightened apertures, which increases impact at large sizes but can reduce clarity in dense settings. The design emphasizes uniform color and strong silhouettes, making it especially effective for short lines, big headlines, and simple typographic marks.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸