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Free for Commercial Use

Solid Mohi 3 is a very bold, narrow, low contrast, reverse italic, normal x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'Passiflora' by Compañía Tipográfica de Chile, 'Dopeness' by Crumphand, 'Chop Crap' by Flawlessandco, 'Knicknack' by Great Scott, 'Burford Rustic' by Kimmy Design, and 'Matryoshka' by Volcano Type (names referenced only for comparison).

Keywords: posters, headlines, packaging, kids, stickers, playful, chunky, goofy, bubbly, cartoon, standout display, playful tone, cartoon branding, silhouette focus, rounded, blobby, soft, irregular, squashy.


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A heavy, blobby display face built from soft, rounded forms with an intentionally uneven, hand-shaped feel. Strokes balloon and pinch unpredictably, with terminals that look pressed or melted rather than cleanly cut, creating a lumpy rhythm across words. Counters are largely collapsed, so letters read as solid silhouettes; joins and bowls merge into chunky masses that favor shape recognition over internal detail. Spacing appears tight and the overall texture is dense, producing a strong black footprint in lines of text.

Best suited to short, bold statements where the solid, bubbly silhouettes can read clearly—posters, splashy headlines, playful packaging, and kid-oriented materials. It also works well for logos and badges that want a soft, humorous personality, especially when set large with generous line spacing.

The tone is humorous and unapologetically bold, leaning into a toy-like, cartoon sensibility. Its squashed silhouettes and wobbly edges suggest spontaneity and fun rather than precision, giving it a friendly, mischievous voice that feels informal and energetic.

The design appears intended to maximize visual impact through solid, rounded silhouettes and deliberately imperfect shaping, prioritizing characterful forms over counter detail. It aims to deliver a playful novelty voice that stands out immediately in display use.

Because the interiors are mostly closed, small sizes and long passages can lose character differentiation, while larger settings preserve the quirky silhouettes and maintain impact. The mix of rounded swelling and occasional sharper notches adds a lively, irregular cadence that suits expressive, attention-grabbing typography.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸