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Stencil Olbu 5 is a bold, wide, high contrast, upright, normal x-height font visually similar to 'Century Schoolbook' and 'Century Schoolbook WGL' by Bitstream, 'Century Schoolbook DT' by DTP Types, 'Linotype Maral Armenian' by Linotype, and 'Century PS Pro' by SoftMaker (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, branding, industrial, vintage, authoritative, dramatic, utilitarian, display impact, industrial marking, heritage styling, stencil texture, strong voice, slab serif, stencil bridges, notched, bracketed, blocky.


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A heavy slab-serif stencil with pronounced contrast between thick main strokes and thinner connecting elements. Letterforms are wide and strongly vertical, with compact counters that emphasize solid black mass. Stencil breaks are consistent and readable, appearing as deliberate bridges and notches across bowls and joins, while terminals and serifs stay squared and robust. The overall rhythm is assertive and poster-like, with tightly shaped apertures and crisp interior cutouts that keep large sizes punchy.

Best suited to display typography where the stencil breaks can be appreciated: posters, bold headlines, packaging, labels, and environmental or wayfinding-style signage. It can also work for branding and title treatments that need a tough, industrial voice without losing typographic structure.

The font conveys an industrial, heritage tone—evoking marking paint, crate labeling, and utilitarian signage—while the refined slab structure adds a traditional, authoritative feel. Its bold silhouette and deliberate interruptions create a sense of strength and drama suitable for attention-grabbing headlines.

The design appears intended to combine classic slab-serif construction with a consistent stencil mechanism, producing a font that feels both traditional and fabricated. The goal is likely strong impact and recognizable texture for large-scale, attention-driven applications.

The stencil strategy is carried across caps, lowercase, and numerals, producing a cohesive system that reads clearly at display sizes. The lowercase maintains a sturdy, editorial slab flavor, while the numerals use the same broken-stroke logic to keep figures visually aligned with the letters.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸