Sans Other Ohre 2 is a very bold, normal width, monoline, upright, normal x-height font.
Keywords: posters, headlines, logotypes, game ui, packaging, industrial, arcade, gothic, aggressive, mechanical, impact, edginess, retro-tech, brand voice, display texture, angular, chamfered, notched, blocky, squared.
A heavy, block-built display face with squared construction and crisp right angles, frequently interrupted by chamfered corners and small triangular notches. Strokes stay consistently thick, while many terminals end in flat slabs or clipped wedges that create a jagged silhouette. Counters are compact and rectangular, with tight apertures in letters like C, S, and e, contributing to a dense, high-contrast texture at text sizes. The overall rhythm is rigid and modular, with slightly irregular detailing that reads like cut metal or pixel-adjacent geometry rather than smooth curves.
Best suited to short, high-impact settings such as posters, headlines, title cards, album art, and brand marks where its angular detailing can be appreciated. It also fits game interfaces, esports or tech-themed graphics, and packaging that benefits from a rugged, industrial tone. In longer passages, the dense counters and tight apertures suggest using generous size and spacing for clarity.
The font projects a tough, mechanical attitude with a retro-digital edge. Its sharp cuts and dense black mass feel industrial and confrontational, while the notched corners evoke arcade, game UI, and techno-futurist cues. Overall, it conveys energy and grit more than refinement or warmth.
The design appears intended as a statement display sans that merges modular, squared skeletons with aggressive cut-in details to create a distinctive, machine-cut look. It prioritizes visual punch and thematic texture over neutral readability, offering a stylized voice for bold, graphic typography.
Uppercase forms are especially imposing, with stylized diagonals and asymmetric cuts (notably in A, K, R, and W) that add character without introducing true curves. Lowercase remains similarly blocky and simplified, helping maintain a consistent voice across cases. Numerals follow the same squared, cut-corner logic for a cohesive display palette.