Sans Other Uhra 6 is a very light, narrow, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, ui labels, tech branding, technical, futuristic, minimal, geometric, schematic, modular display, tech aesthetic, futurist styling, geometric experimentation, monoline, rectilinear, angular, wireframe, modular.
A monoline, rectilinear sans built from thin, even strokes and sharp corners. Letterforms are constructed with squared bowls and open, notched joins, giving many glyphs a segmented, “drawn-with-a-plotter” feel rather than continuous curves. Proportions skew tall and compact, with simplified geometry across both cases; several characters use distinctive hooked terminals and clipped corners that keep the texture airy and highly linear. Numerals follow the same modular logic, with angular diagonals and boxy counters that read as engineered rather than calligraphic.
Best suited to short settings where its angular construction can be appreciated—headlines, posters, logotypes, packaging accents, and interface labels with a science/tech or sci‑fi lean. It can also work for diagrams, signage, and titling where a precise, schematic texture supports the content.
The overall tone is crisp, technical, and slightly retro-futurist, like labeling on instruments or early digital interfaces. Its wireframe construction feels analytical and controlled, projecting a cool, schematic character more than a conversational one.
The design appears intended to reinterpret a basic sans skeleton through a modular, straight-line system, prioritizing a clean engineered look and a distinctive display voice. The consistent monoline stroke and clipped geometry suggest a focus on contemporary tech aesthetics and high-contrast negative-space detailing rather than traditional text comfort.
Because much of the alphabet relies on open corners and small interior gaps, the face has a pronounced sparkle at display sizes but can become fragile or busy when reduced. The distinctive geometry gives strong personality, so repeated text forms a patterned rhythm rather than a neutral paragraph color.