Sans Contrasted Ramak 5 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Artegra Sans' by Artegra, 'Bulldog' and 'Bulldog Std' by Club Type, 'ITC Franklin' by ITC, 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, 'Otoiwo Grotesk' by Pepper Type, and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, sports branding, logos, packaging, sporty, punchy, retro, dynamic, confident, create impact, signal motion, retro display, brand emphasis, headline power, slanted, compressed, high-impact, rounded, bracketed.
A heavy, right-slanted display face with compact proportions and a dense, tightly packed color on the page. Strokes show clear modulation, with weight shifting through curves and joins to create a chiseled, energetic rhythm. Terminals are mostly cut clean with subtle rounding, and many forms include small bracket-like inflections that soften corners without reading as true serifs. Counters are relatively tight, apertures are controlled, and curves are broadly drawn, giving letters a sturdy, muscular silhouette in both caps and lowercase.
Best suited to short, prominent text such as headlines, posters, event graphics, sports identities, and bold logo wordmarks. It can also work for packaging callouts or editorial pull quotes where a strong, fast-looking italic voice is needed; for long body text it may feel too dense and commanding.
The overall tone is assertive and kinetic, with a forward-leaning stance that suggests speed and momentum. Its bold presence and slightly vintage shaping evoke classic advertising and athletic branding, while staying clean enough to feel contemporary and purposeful.
The design appears intended to deliver maximum impact with a sense of motion, pairing a strong slant with controlled contrast to keep letterforms crisp and emphatic. Its compact, sturdy construction prioritizes immediate recognition and a branded, display-forward personality.
Spacing appears designed to hold together in large settings, producing a cohesive, poster-ready texture. The figures and capitals share the same compact, forceful construction, supporting consistent emphasis in mixed alphanumeric lines.