Sans Other Ehgo 2 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Equines' by Attractype, 'Hyper Super' by Bisou, 'Ultimatum MFV' by Comicraft, 'CF Blast Gothic' by Fonts.GR, and 'Etrusco Now' by Italiantype (names referenced only for comparison).
Keywords: sports branding, racing graphics, headlines, posters, logos, aggressive, speed, industrial, sporty, tactical, impact, motion, ruggedness, display, slanted, angular, blocky, condensed feel, sharp corners.
A heavy, slanted sans with strongly angular, wedge-like terminals and a predominantly straight-edged construction. Counters are compact and often squared, and curves are minimized into faceted corners, giving letters a cut-from-plate feel. The rhythm is tight and forward-leaning, with broad strokes and small internal apertures that emphasize mass and impact. Capitals and lowercase share a consistent, mechanical geometry, and the numerals match the same hard-edged, italicized stance.
Best suited to short, high-impact settings such as sports identities, racing and motorsport graphics, promotional posters, and bold headline typography. It can work effectively in logos and wordmarks where the angular forms and forward motion are meant to be read quickly and remembered.
The overall tone is fast, forceful, and utilitarian, suggesting speed, competition, and rugged machinery. Its sharp angles and forward tilt add urgency and a high-energy, action-oriented voice that reads as bold and uncompromising.
The design appears intended to deliver maximum visual punch with a sense of motion and toughness, using faceted geometry and aggressive terminals to create an assertive display voice. It prioritizes impact and attitude over open readability, aiming for a modern, action-driven aesthetic.
The dense fill and narrow openings can cause letters to visually merge at smaller sizes, while at larger sizes the faceted silhouettes and distinctive cut-ins become a defining stylistic feature. The italic slant is integral to the design rather than a simple oblique, reinforcing the dynamic, driven texture across words and lines.