Sans Superellipse Hidoj 2 is a very bold, narrow, monoline, upright, tall x-height font visually similar to 'React BTL' by BoxTube Labs, 'Morgan Poster' by Feliciano, 'PAG Revolucion' by Prop-a-ganda, 'Flick' by Trequartista Studio, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, packaging, sports branding, signage, industrial, assertive, retro, poster-ready, mechanical, impact, space-saving, modernist, utility, branding, condensed, blocky, rounded corners, square curves, high contrast counters.
A condensed, heavy display sans with a rounded-rectangle construction and largely uniform stroke weight. Curves are built from squared-off bowls and softened corners rather than true circles, giving counters a compact, geometric feel (notably in O, D, P, and R). Terminals are mostly flat and abrupt, with a tight, vertical rhythm and minimal modulation; joins are clean and angular. The lowercase shows simplified, sturdy forms with short ascenders/descenders relative to the tall x-height, and the numerals follow the same compact, squared geometry for a consistent, sign-like texture.
Best suited to headlines, posters, and attention-grabbing typographic layouts where compact width and strong vertical rhythm are advantages. It also fits branding and packaging that need a sturdy, industrial voice, as well as signage or labels where bold, condensed forms help maximize impact in narrow spaces.
The font projects a tough, no-nonsense tone with a distinctly industrial and slightly retro flavor. Its narrow, packed-in silhouettes and squared curves read as mechanical and utilitarian, making text feel forceful and confident. The rounded corners soften the severity just enough to keep it approachable while retaining a bold, authoritative voice.
The design appears intended as a high-impact condensed display face built on rounded-rectilinear geometry. It prioritizes dense coverage, consistent weight, and simplified shapes to deliver punchy readability and a distinctive mechanical character in large-scale typography.
Spacing appears tight and efficient, producing dark, uniform word shapes in longer lines. The superelliptical bowls and rectangular counters create strong patterning at display sizes, while the condensed width makes it well-suited to fitting large headlines into limited horizontal space.