Print Uglid 2 is a regular weight, very narrow, high contrast, upright, short x-height font.
Keywords: headlines, posters, book covers, packaging, invitations, whimsical, playful, quirky, vintage, bookish, hand-lettered feel, quirky elegance, display impact, storybook tone, spidery, delicate, tall, organic, lively.
This typeface presents tall, slender letterforms with pronounced stroke contrast, combining hairline connectors with heavier verticals. Curves are slightly irregular and organic, giving the impression of hand-drawn construction while remaining largely upright and controlled. Terminals tend toward tapered or softly rounded finishes, and counters are compact, reinforcing a narrow, vertical rhythm. Uppercase forms are relatively narrow and airy; lowercase features a short x-height with elongated ascenders and descenders that add a gently bouncy texture in text. Numerals follow the same spindly, high-contrast logic, with simple, open shapes and a lightly calligraphic feel.
This font is well-suited to display use where its tall, high-contrast shapes can be appreciated—headlines, posters, book covers, and branded phrases. It can also work for packaging or invitations that benefit from a playful, handcrafted tone. Because of its delicate hairlines and narrow build, it is best used at moderate-to-large sizes where fine details remain clear.
The overall tone is charming and slightly eccentric—more storybook than formal—suggesting a handcrafted personality with a hint of vintage flair. Its thin strokes and tall proportions lend it a delicate, whimsical voice that feels friendly and expressive rather than neutral or corporate.
The design appears intended to mimic informal hand lettering with a controlled, print-like structure, balancing legibility with quirky character. Its narrow proportions and high contrast seem aimed at creating an elegant yet playful presence that stands out in short text settings.
Stroke weight is not fully uniform across letters, which enhances the handmade impression and creates a lively, uneven color on the line. Spacing reads a touch variable from glyph to glyph, contributing to the informal rhythm and emphasizing the font’s drawn character.