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Free for Commercial Use

Solid Ipve 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'CA Zentrum' by Cape Arcona Type Foundry, 'Flip' by K-Type, and 'Lyu Lin' by Stefan Stoychev (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, stickers, playful, retro, chunky, quirky, bold, attention grabbing, retro novelty, handcut feel, silhouette focus, playful branding, rounded, soft, blobby, cartoony, bouncy.


Free for commercial use
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A heavy, soft-edged display face with chunky, rounded forms and minimal internal counter detail. Strokes swell into bulb-like terminals, with pinched joins and uneven contours that create an intentionally irregular, hand-cut rhythm. Several letters read as near-solid silhouettes, while others keep only small apertures; overall spacing and widths vary noticeably, producing a lively, non-uniform texture. The lowercase is compact and sturdy, and the numerals follow the same swollen, simplified geometry for strong visual continuity.

Best suited to short display use such as posters, headlines, playful branding marks, packaging callouts, and sticker-style graphics where a strong silhouette is an advantage. It can also work for titles in games or event promotions, but it is less ideal for long passages or small UI text due to the dense interiors.

The font projects a playful, slightly mischievous tone with a retro novelty feel. Its near-solid silhouettes and bouncy, lumpy outlines make it feel more like a graphic stamp than conventional typography, lending an informal, attention-grabbing character.

The design appears intended to deliver maximum impact through a compact, almost cut-out silhouette and an irregular, handmade feel. By minimizing interior openings and emphasizing swollen curves and lumpy edges, it prioritizes personality and presence over conventional readability.

In text settings, the dense shapes build a dark typographic color quickly, and the collapsed counters can reduce distinction between similar forms at smaller sizes. The face is most visually effective when given generous size and whitespace so the quirky contours and silhouette differences can carry legibility.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸