Sans Faceted Radu 7 is a bold, normal width, monoline, upright, normal x-height font.
Keywords: logotypes, posters, headlines, album art, game ui, medieval, runic, aggressive, arcade, industrial, display impact, carved aesthetic, emblem design, stylized readability, brand voice, angular, chiseled, geometric, blackletter‑inspired, diamond counters.
This typeface is built from hard-edged, faceted strokes that replace curves with angled planes, producing a distinctly geometric silhouette. Stems are heavy and mostly uniform in thickness, with frequent diagonal terminals and clipped corners that create a chiseled, cut-from-plate look. Several glyphs use diamond-shaped counters and pointed joins (notably in forms like O and Q), while others alternate between straight verticals and sharp diagonals, giving the alphabet a crisp, mechanical rhythm. Uppercase forms are compact and blocky, and the lowercase echoes the same angular construction with simplified bowls and wedge-like shoulders; numerals follow the same faceted logic for strong visual consistency.
Best suited for display settings such as logos, poster titles, packaging marks, and entertainment branding where a sharp, emblematic voice is desired. It can work well for game interfaces, event graphics, and short callouts where its angular construction remains clear. For body copy, it benefits from larger sizes and careful spacing to prevent the faceted details from visually clogging.
The overall tone feels fortress-like and assertive—evoking carved stone, runes, or metalwork rather than pen-written forms. Its sharp geometry reads energetic and slightly combative, lending a game-like, fantasy-meets-industrial attitude. The repeated diamond apertures and aggressive diagonals add a ritualistic, emblematic flavor that can feel both retro and hardcore depending on context.
The design appears intended to translate a carved or cut aesthetic into a consistent, modern glyph set—prioritizing striking silhouettes, planar facets, and icon-like presence over smooth readability. Its repeated geometric motifs and disciplined stroke treatment suggest an aim for a cohesive, high-impact display style that feels both archaic and engineered.
Because the design relies on small internal openings and tight angles, the texture can appear dense in longer passages; the sample text shows best results when given generous size and spacing. The distinctive O/Q construction and pointed diagonals create strong word-shapes that stand out in short strings and titles.