Sans Normal Abnal 13 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'FF Bauer Grotesk' and 'FF Bauer Grotesk Paneuropean' by FontFont, 'Futura' and 'Futura Paneuropean' by Linotype, and 'URW Form' by URW Type Foundry (names referenced only for comparison).
Keywords: branding, editorial, ui text, marketing, packaging, friendly, modern, lively, casual, clean, approachable tone, modern clarity, readable oblique, brand versatility, humanist, rounded, oblique, soft terminals, open apertures.
This is an oblique sans with smooth, rounded curves and a gently humanist construction. Strokes are even and low-contrast, with subtly tapered joins and soft, slightly angled terminals that keep the texture light and continuous. Counters are open and roomy, especially in letters like c, e, and s, and the overall rhythm reads as fluid and forward-leaning rather than rigidly geometric. Numerals follow the same soft, rounded logic, with clear shapes and consistent stroke color across the set.
This font works well for brand identities, short editorial passages, and marketing copy where an inviting, forward-moving voice is helpful. Its open apertures and steady stroke color support on-screen reading in UI contexts, while the oblique style can add emphasis in headings, pull quotes, and packaging labels without resorting to a separate italic pairing.
The slanted stance and rounded forms give the face a friendly, energetic tone that feels contemporary and approachable. It suggests motion and informality without becoming playful or decorative, making it well-suited to upbeat, conversational typography.
The design appears intended to provide a modern, friendly oblique sans that balances clean contemporary shapes with humanist warmth. It aims for easy readability and a lively cadence, offering an italic-like voice that stays smooth and approachable across display and text sizes.
The design maintains a cohesive oblique angle across capitals, lowercase, and figures, producing a smooth, italic-like flow in longer text. Round letters (o, q, 0) are notably circular and generous, while diagonals (v, w, y) feel crisp but not sharp, preserving the overall softness.