Sans Superellipse Ilpa 6 is a very bold, wide, medium contrast, italic, tall x-height font visually similar to 'Acumin' by Adobe, 'Murs Gothic' by Kobuzan, 'PG Gothique' by Paulo Goode, 'NeoGram' by The Northern Block, and 'Protipo' by TypeTogether (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, social ads, sporty, assertive, energetic, modern, punchy, impact, motion, modern branding, display emphasis, attention grab, compact apertures, rounded corners, oblique slant, heavy weight, soft geometry.
A heavy, oblique sans with broad proportions and softly squared, superellipse-like curves. Strokes are thick and largely uniform, with subtle contrast created by angled joins and sheared terminals rather than modulation. Counters are compact and apertures tend to be tight, while corners are rounded to keep the dense shapes from feeling sharp. The overall rhythm is blocky and stable, with strong horizontals and diagonals that read cleanly at display sizes.
Best suited to headlines, posters, and short, emphatic messaging where dense letterforms and strong slant can deliver impact. It also fits sports branding, energetic campaigns, packaging callouts, and social or digital ads that need quick, bold legibility. For body copy, it will perform more comfortably at larger sizes due to its tight apertures and heavy color.
The tone is bold and high-impact, with an athletic, headline-forward confidence. Its slanted stance and compact internal spaces give it urgency and motion, while the rounded geometry adds a friendly, contemporary polish. Overall it feels designed to grab attention quickly and hold it.
Likely intended as a modern display italic that combines robust, attention-grabbing weight with softened, rounded geometry for a contemporary feel. The design prioritizes strong silhouette, consistent texture, and a sense of forward motion for branding and promotional typography.
Uppercase forms are especially stout and poster-like, and the numerals match the same heavy, rounded-rect geometry for consistent color in mixed text. The italic angle is steady across glyphs, supporting a cohesive, forward-leaning texture in longer lines.