Sans Superellipse Nulud 9 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Dark Sport' by Sentavio and 'Fixture' by Sudtipos (names referenced only for comparison).
Keywords: headlines, posters, sports branding, apparel graphics, packaging, sporty, assertive, retro, energetic, industrial, impact, motion, brand mark, display, utility, rounded, oblique, compact, blocky, soft corners.
A heavy, slanted sans with rounded-rectangle construction and consistently softened corners. Strokes are thick and fairly even, with subtly squared counters and apertures that keep forms open despite the weight. The italic angle reads as a forward-leaning oblique, producing a fast horizontal rhythm and a compact, punchy silhouette. Numerals and capitals share the same blocky, superelliptical geometry, with sturdy diagonals and flattened curves that emphasize stability and impact.
Best suited to headlines, posters, and bold branding where impact and momentum matter. It works well for sports and motorsport aesthetics, product packaging, apparel graphics, and promotional typography, especially when set large with generous tracking or in all caps. For longer text, it’s most effective in short, emphatic statements or subheads where the weight and slant can do the heavy lifting.
The overall tone is bold and kinetic, leaning into a sporty, performance-oriented feel. Its rounded corners and squarish curves add a friendly, retro-industrial warmth while maintaining a strong, no-nonsense voice. The slant reinforces motion and urgency, making the font feel active and attention-grabbing.
The font appears designed to deliver maximum visual punch with a streamlined, rounded-rect geometry that stays legible in dense, bold forms. The forward slant and compact shaping suggest an intention toward speed, strength, and modern utility, aimed primarily at display and branding use.
The design favors broad, simplified shapes over delicate detailing, which helps it hold together at display sizes and in short bursts of text. Curves tend toward rounded rectangles rather than circles, giving the face a distinctive techno-utility flavor without becoming overly sharp or aggressive.