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Free for Commercial Use

Sans Superellipse Vedoj 12 is a very light, wide, monoline, upright, normal x-height font.

Keywords: ui design, app branding, tech packaging, headlines, signage, futuristic, minimal, technical, clean, sleek, digital aesthetic, geometric system, clarity, modern branding, rounded corners, geometric, square-round, open counters, high legibility.


Free for commercial use
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This typeface is built from thin, monoline strokes with a rounded-rectangle construction that repeats across both capitals and lowercase. Curves tend to resolve into squarish bowls and soft corners rather than true circles, giving the letterforms a crisp, engineered feel. Terminals are clean and mostly squared-off with rounding, and the overall rhythm is even and airy, with generous internal space in counters and a consistent stroke behavior across diagonals, verticals, and horizontals. Numerals match the same superelliptical geometry, with simplified, open forms that maintain clarity at a glance.

This font suits user interfaces and product surfaces where a clean, contemporary voice is needed, especially in navigation labels, settings screens, and device or software branding. It also performs well for short headlines, wayfinding, and modern packaging where a geometric, precision-led aesthetic supports the message. For longer text, it works best when set with ample size and spacing to preserve its airy stroke presence.

The design reads as modern and tech-forward, with a calm, minimalist tone. Its rounded-square geometry suggests digital interfaces, contemporary product design, and a slightly sci‑fi sensibility without becoming decorative. The light touch and spacious spacing make it feel refined and understated rather than loud.

The letterforms appear designed to translate a rounded-rectangular, industrial geometry into a legible, everyday sans, balancing a distinctive shape language with straightforward readability. Consistent corner radii and monoline strokes suggest an intention to align with modern digital and product design systems while keeping typography neutral and systematic.

Several glyphs emphasize the font’s signature geometry: the rounded-square O and 0, the squared curves in C/G/S, and the compact, engineered joins in letters like M, N, and K. Descenders and ascenders stay restrained, helping keep lines of text visually tidy, while the punctuation and numerals maintain the same softened-corner logic for a cohesive system.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸