Outline Elho 11 is a regular weight, wide, very high contrast, upright, tall x-height font.
Keywords: headlines, logotypes, posters, game ui, titles, futuristic, arcade, techno, sci‑fi, playful, display impact, retro futurism, neon signage, dimensional effect, tech branding, rounded, inline, shadowed, chunky, geometric.
A rounded, geometric outline face with an inline cut that creates a hollow, layered look. Letterforms are built from broad, squared curves and straight runs, with consistently radiused corners and mostly closed counters defined by the outline rather than fill. Many glyphs include an inner contour/stripe and occasional beveled or stepped joins, producing a dimensional, poster-like silhouette. The drawing favors wide bowls and open apertures, while stroke endings stay blunt and squared, keeping the rhythm blocky and engineered.
Best suited for large-scale display work such as headlines, posters, packaging callouts, and logo wordmarks where the outline and inline details can remain crisp. It also fits screen-forward uses like game UI titles, esports branding, and retro tech graphics, especially when paired with high-contrast color or glow effects.
The overall tone feels retro-futuristic and game-like, blending 1980s arcade energy with a techy, schematic aesthetic. The outlined construction reads as flashy and attention-seeking, with a light, playful dynamism created by the inline details and shadow-like layering.
The design appears intended to deliver a bold, futuristic display voice through a hollow outline structure and internal striping that mimics inset tubing or layered signage. Its rounded geometry and dimensional cues prioritize personality and impact over neutral text readability, positioning it as a decorative headline font.
The outline-and-inline construction makes the design depend heavily on clean reproduction; small sizes may lose the interior striping and fine negative spaces. In display settings, the consistent corner rounding and modular geometry give headlines a cohesive, “built” appearance, and the dimensional cues suggest motion and neon signage.