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Free for Commercial Use

Sans Normal Osluv 4 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'AC Texto' and 'AC Texto Pro' by Antoine Crama, 'MC Fhoden' by Maulana Creative, 'Fact' by ParaType, 'Belle Sans' by Park Street Studio, 'Anago' by Positype, 'Neue Reman Gt' by Propertype, and 'Secca Art Std' by astype (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, signage, friendly, punchy, playful, confident, informal, impact, approachability, display clarity, brand voice, simplicity, rounded, soft corners, bulky, compact, high impact.


Free for commercial use
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A heavy, rounded sans with dense strokes, soft terminals, and broadly curved bowls that keep counters open despite the weight. Proportions are compact and slightly irregular in rhythm, with a mix of sturdy verticals and rounded forms that creates a bouncy texture in words. Uppercase shapes read blocky and stable, while lowercase shows simple, single‑storey constructions and short extenders that reinforce a chunky, sign-like silhouette. Numerals are similarly robust with rounded joins and generous curves for strong at-a-glance recognition.

This font works best where immediate impact and friendliness are desired: headlines, posters, packaging, logos/wordmarks, and short promotional copy. It can also serve as a strong typographic accent in interfaces or editorial layouts when used sparingly at larger sizes.

The overall tone is upbeat and approachable, with a friendly softness that keeps the weight from feeling aggressive. Its chunky shapes and slightly lively rhythm give it a casual, upbeat voice suited to attention-getting display use.

The design appears intended to deliver maximum presence with an approachable, rounded character, prioritizing bold legibility and a cheerful tone in display contexts. Simplified letterforms and consistent curvature suggest a focus on quick recognition and a distinctive, friendly voice.

In text settings the dark color is prominent, so spacing and counters play a key role in maintaining clarity; the design relies on broad curves and simplified details rather than sharp corners. The forms stay consistent across letters and figures, emphasizing bold presence over delicate nuance.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸