Sans Faceted Elme 2 is a very bold, narrow, monoline, italic, normal x-height font visually similar to 'Karepe FX' by Differentialtype, 'Refinery' by Kimmy Design, 'Core Mellow' by S-Core, 'Brumder' by Trustha, and 'Sugo Pro' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, apparel, packaging, sporty, industrial, aggressive, retro, tactical, impact, motion, space-saving, ruggedness, branding, angular, faceted, condensed, slanted, blocky.
A heavy, slanted display sans with tightly condensed proportions and crisp, faceted construction. Strokes are largely uniform in thickness, with corners cut into planar chamfers that replace curves and create a chiseled silhouette. Counters are compact and geometric, terminals are squared-off, and diagonals (notably in A, K, V, W, X, Y) drive a forward-leaning rhythm. Numerals follow the same angular, cut-corner logic for a cohesive, stamp-like texture in words and lines of text.
Best suited for short, high-impact settings such as headlines, posters, sports and team graphics, apparel lettering, and bold packaging or label callouts. It can also work for logos and wordmarks where a condensed, energetic texture is desired, but its dense color and tight counters make it less ideal for long, small-size text.
The overall tone is fast, forceful, and utilitarian, with a sporty energy and an industrial edge. The sharp facets and forward slant suggest motion and impact, evoking uniforms, equipment markings, and bold headline graphics.
The design appears intended to deliver maximum punch in limited horizontal space while maintaining a consistent, engineered look. Its faceted geometry and slanted stance prioritize speed and attitude, creating a distinctive display voice that stays coherent across letters and numbers.
Spacing appears tight and the dark color fills in quickly, producing strong presence at larger sizes. The faceted joins and minimal curvature make the forms read as engineered rather than calligraphic, and the distinctive chamfered corners are the primary visual signature across both uppercase and lowercase.