Sans Other Onfi 2 is a bold, very wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, game ui, tech branding, signage, futuristic, tech, industrial, arcade, geometric, sci‑fi display, digital ui, industrial labeling, retro arcade, rectilinear, angular, modular, octagonal, square terminals.
A blocky, rectilinear display sans built from uniform stroke widths and predominantly horizontal/vertical construction, with frequent chamfered corners that create an octagonal, machined silhouette. Counters are mostly rectangular and tightly controlled, producing a compact, engineered rhythm; several letters rely on notches and cut-ins rather than curves for differentiation. The proportions run wide with generous horizontal spans, while verticals stay firm and consistent; diagonals appear selectively (e.g., V, W, X, Y, K) as straight, hard-angled joins. Overall spacing reads even and systematic, emphasizing grid-like geometry and crisp, squared terminals.
Best suited to large sizes where the angular detailing and squared counters can be appreciated—headlines, posters, title cards, and tech-forward branding. It also fits interface-style applications such as game UI, sci‑fi overlays, and signage/labels where a crisp, engineered look is desired.
The tone is distinctly techno and utilitarian, evoking digital interfaces, sci‑fi titling, and industrial labeling. Its sharp corners and modular construction suggest precision and a mechanical, retro-futurist attitude, with an arcade-like energy in the angular diagonals and boxed counters.
The design appears intended to deliver a highly geometric, futuristic voice using a strict, grid-based construction and consistent stroke weight. By minimizing curves and leaning on chamfers and cut-ins, it prioritizes a mechanical, digital aesthetic that reads as deliberate and systematized.
Distinctive structural quirks—such as boxed forms, inset apertures, and occasional stencil-like breaks—give individual glyphs a coded, display-oriented character. Numerals follow the same rectilinear logic, with hard angles and squared bowls that keep the set visually cohesive across letters and figures.