Sans Superellipse Engan 1 is a regular weight, wide, monoline, italic, tall x-height font.
Keywords: headlines, logotypes, branding, sports graphics, tech ui, futuristic, technical, sporty, sleek, dynamic, convey speed, modernize, technical clarity, brand impact, rounded corners, oblique slant, squared curves, extended, streamlined.
A slanted, extended sans with monoline strokes and a geometric, rounded-rectangle construction. Curves resolve into squarish superellipse corners rather than true circles, giving bowls and counters a compact, engineered feel. Terminals are clean and mostly straight-cut, with consistent stroke weight and smooth joins that keep the rhythm uniform in text. The lowercase shows a tall, upright x-height relative to ascenders, and the numerals follow the same boxy-rounded logic for a cohesive alphanumeric texture.
Best suited for display settings where its extended, forward-leaning forms can signal motion—headlines, posters, product branding, and logotypes. It also fits tech-forward interface styling, dashboards, and esports/sports graphics where a sleek, engineered texture is desirable. For longer reading, it works most comfortably at larger sizes where the squared counters and italic slant remain clear.
The overall tone feels fast and contemporary, with a motorsport/tech cadence created by the forward slant and widened proportions. Its rounded-square geometry reads as digital and engineered rather than humanist, suggesting speed, precision, and modern tooling. In longer passages it maintains a crisp, synthetic voice that stays energetic without becoming aggressive.
The design appears intended to merge a geometric, rounded-rectangle skeleton with an italicized, speed-oriented stance. By keeping stroke weight even and corners consistently softened, it aims for a polished, modern look that reads as technical and aerodynamic in both uppercase and lowercase.
Round letters like O/C/G take on a squarish silhouette, and diagonals (V/W/Y) are sharp and taut, reinforcing the streamlined theme. Apertures are moderately open and counters are fairly squared, which helps preserve clarity despite the oblique angle. The punctuation shown (e.g., apostrophe/exclamation) matches the same clean, minimal treatment.