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Sans Superellipse Olrot 8 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Dharma Gothic P' and 'Dharma Gothic Rounded' by Dharma Type, 'Kiosk' by Fenotype, 'Gemsbuck Pro' by Studio Fat Cat, 'Headpen' by Umka Type, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, industrial, condensed, authoritative, utilitarian, retro, space saving, high impact, systematic, modernized retro, blocky, squared, rounded corners, compact, monoline.


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A compact, condensed sans with heavy, monoline strokes and rounded-rectangle construction throughout. Curves are resolved as squarish bowls with softened corners, producing a superelliptical feel in letters like O, C, and G. Terminals are blunt and evenly weighted, counters are relatively small, and the overall rhythm is tight and vertical, with straight-sided stems and minimal modulation. The lowercase is built to match the uppercase’s rigidity, with simple, sturdy forms and short joins that keep silhouettes crisp at display sizes.

This font is best suited for headlines, posters, and branding where strong impact and condensed efficiency are desired. It also fits packaging, signage, and short UI or dashboard labels where a sturdy, industrial voice helps information feel structured and emphatic. For longer text, it will read most comfortably at larger sizes with generous line spacing due to its dense counters and tight overall color.

The overall tone is direct and mechanical, balancing a retro industrial flavor with a contemporary, no-nonsense clarity. Its squared curves and compact proportions evoke labeling, equipment markings, and structured editorial titling rather than expressive or calligraphic moods.

The letterforms appear designed to deliver maximum punch in minimal horizontal space, using squared, rounded-corner geometry to keep shapes consistent and highly repeatable. The intent favors a pragmatic display voice—bold, compact, and system-like—optimized for strong word images and a disciplined typographic texture.

The design emphasizes closed, boxy apertures and consistent stroke endings, giving words a dense, billboard-like texture. Numerals follow the same rounded-rectangle logic, maintaining a uniform, engineered appearance across alphanumerics.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸