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Free for Commercial Use

Sans Superellipse Gigij 13 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Brainy Variable Sans' by Maculinc, and 'Cartella NF' by Nick's Fonts (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, bold, friendly, modern, sturdy, playful, impact, approachability, clarity, modernity, rounded, blocky, soft corners, compact, high contrast counter.


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This typeface is built from heavy, even strokes with softly rounded corners and squared-off curves, giving many letters a superellipse/rounded-rectangle construction. Proportions are compact with generous internal counters for the weight, and curves transition cleanly into straight stems without visible calligraphic modulation. Terminals are blunt and uniform, and bowls and arches favor broad, stable shapes over delicate detailing. Numerals follow the same chunky, rounded geometry, with clear, simplified forms that hold together well at display sizes.

Best suited to high-impact headlines, posters, and branding where a bold, friendly presence is needed. The sturdy shapes and open counters also work well for packaging and short-form signage, especially when you want a modern, approachable sans with a distinctive rounded-rectangular character.

The overall tone is confident and approachable: a bold, contemporary sans that feels friendly rather than aggressive due to its rounded geometry. Its chunky rhythm and soft corners give it a slightly playful, poster-like energy while still reading as solid and utilitarian.

The design appears intended to deliver maximum visual impact with a soft-edged, contemporary feel—combining a strong, blocky silhouette with rounded corners to keep the voice welcoming. Its consistent geometry suggests it was drawn for clear, punchy display typography that remains legible and coherent in tight, bold settings.

Round letters like O/C/G and the lowercases lean into squared curves, creating a distinct “soft block” texture across lines. The lowercase set is simple and sturdy (single-storey a and g), and the punctuation in the sample reads as large and assertive, reinforcing a headline-forward voice.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸