Sans Superellipse Tabub 9 is a very bold, narrow, high contrast, upright, normal x-height font visually similar to 'ATF Headline Gothic' by ATF Collection, 'Acumin' by Adobe, 'Midnight Sans' by Colophon Foundry, and 'Miguel De Northern' by Graphicxell (names referenced only for comparison).
Keywords: posters, headlines, packaging, signage, logotypes, industrial, rugged, poster, punchy, vintage, impact, condensation, distress, signage feel, print texture, condensed, rounded, stencil-worn, compact, chunky.
A compact, condensed sans with rounded-rectangle construction and heavy, blocky strokes. Curves and counters lean toward squarish superellipse forms, producing tight apertures and dense interior spaces, especially in letters like C, S, and e. Terminals are mostly flat and blunt, with slightly softened corners; outlines show deliberate roughening and speckled wear that reads like distressed ink or aged printing. Proportions are tall and narrow with strong vertical emphasis, and the texture is consistent across caps, lowercase, and numerals.
Best suited for high-impact display work such as posters, event graphics, bold editorial headings, packaging labels, and signage where a rugged texture is desirable. It can also work for compact logotypes or badges that benefit from a condensed, heavy presence, especially at medium-to-large sizes.
The overall tone is assertive and workmanlike, with a worn, analog quality that suggests stamped, screen-printed, or weathered signage. It feels bold and utilitarian rather than refined, conveying grit, urgency, and a retro-industrial attitude.
Likely designed to deliver maximum visual impact in a narrow footprint while evoking the look of worn print or stamped lettering. The rounded-rectangle geometry provides a cohesive, modern scaffold, and the distress treatment adds character and an intentionally imperfect, tactile finish.
The distressing introduces small breaks and pitting along strokes that can merge at smaller sizes, so the face reads best when the texture has room to breathe. The condensed width and tight counters create a powerful rhythm in headlines, while the rough edges add visual noise that becomes part of the identity.