Sans Superellipse Onnoj 3 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: ui labels, signage, headlines, product branding, tech packaging, futuristic, technical, minimal, clean, digital, modernize, systematize, soften geometry, improve clarity, signal tech, rounded, squared, geometric, modular, crisp.
A geometric sans with squared-round construction: bowls and counters lean on rounded-rectangle geometry, giving letters a compact, modular feel. Strokes are consistently even, with smooth curved corners and flat terminals that keep the texture steady across words. Uppercase forms are wide and calm, while lowercase keeps a tidy, contemporary rhythm; counters are generally open and rectangular, helping maintain clarity. Numerals follow the same squared-round logic, producing a coherent, system-like set.
Well-suited to interface labels, dashboards, and wayfinding where a clean, squared-round geometry reads quickly and feels contemporary. It also fits headlines and branding for technology, electronics, and modern consumer products, where its modular forms and crisp rhythm communicate precision. For longer passages it remains legible at moderate sizes, especially in clear layouts with comfortable line spacing.
The overall tone feels modern and engineered, with a subtle sci‑fi and interface aesthetic. Its rounded corners soften the geometry, keeping it approachable while still reading as precise and tech-forward. The uniform stroke and controlled spacing give it a confident, utilitarian voice rather than expressive or handwritten character.
The font appears designed to deliver a systematic, modern sans with superelliptic rounding—balancing geometric rigor with softened corners for friendly clarity. It prioritizes consistency of shape logic across letters and figures, aiming for a cohesive, tech-leaning voice that performs well in both display and practical labeling contexts.
The design language is especially evident in round letters (like O/C/G/Q and 0/8/9), where curvature is expressed through smooth corner radii rather than circular arcs. Diagonals (A, K, V, W, X, Y) stay sharp and clean, adding contrast to the otherwise rectilinear curves. Overall spacing appears measured and consistent, supporting an even typographic color in running text.