Sans Normal Ollat 7 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Izmir' by Ahmet Altun, 'Hybi11 Amigo' by Hybi-Types, 'Averta PE' and 'Averta Standard PE' by Intelligent Design, 'Bergen Text' by Mindburger Studio, and 'TT Commons™️ Pro' and 'TT Norms Pro' by TypeType (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, modern, friendly, functional, clean, impact, clarity, modernity, versatility, simplicity, geometric, rounded, high-contrast, compact, sturdy.
A heavy, geometric sans with clean, monoline strokes and broad, rounded curves. Counters are relatively tight and apertures are moderately closed, giving letters a compact, sturdy color in text. Uppercase forms are built from simple, stable geometry (notably circular O/Q and a wide, low-contrast C/G), while the lowercase keeps a straightforward, workmanlike structure with short extenders and a mostly even rhythm. Terminals are crisp and straight, with rounded joins that keep the overall silhouette smooth and consistent at large sizes.
This font works best where impact and clarity are needed—headlines, posters, bold UI labels, packaging, and straightforward branding. It can be used for short blocks of text, but its compact counters and heavy color are most comfortable at display sizes or with generous line spacing.
The tone is direct and contemporary, with an approachable friendliness coming from its rounded geometry and simplified shapes. Its dense weight and compact spacing read as assertive and attention-grabbing without feeling decorative.
The design appears aimed at delivering a strong, modern sans voice built from simple geometric construction—optimized for quick recognition and consistent, punchy presence across letters and numerals.
In the sample text, the weight produces a strong, dark paragraph color and emphasizes word shapes clearly, though the tighter counters can reduce sparkle in longer lines. Numerals are bold and readable, with rounded figures that match the letterforms’ geometric construction.