Cursive Vipy 12 is a bold, very narrow, high contrast, italic, short x-height font.
Keywords: logotypes, posters, packaging, headlines, social media, energetic, expressive, retro, playful, confident, handwritten feel, brush lettering, display impact, casual branding, expressive emphasis, brushy, swashy, slanted, looped, textured.
A lively brush-script with a pronounced rightward slant and strong thick–thin modulation that mimics a flexible, ink-loaded tool. Strokes show tapered entries and exits, occasional blunt terminals, and subtle edge wobble that reads as hand-drawn rather than mechanically smooth. Letterforms are compact with tight counters and frequent looped constructions, producing a quick, continuous rhythm; connections are suggested by flowing stroke logic even when characters don’t fully join. Capitals are larger and more gestural, with swashy curves and occasional interior loops that add emphasis and vertical sparkle in words.
Works best for short, prominent text where the brush texture and looping strokes can be appreciated—logos, posters, product packaging, and promotional headlines. It’s also a good fit for social graphics, invitations, and quote cards that benefit from an expressive handwritten feel, especially when paired with a simple sans for supporting copy.
The overall tone is upbeat and personable, combining a confident, sign-painter energy with a slightly vintage, casual charm. It feels informal and expressive, suited to messages that should look handwritten and spirited rather than formal or restrained.
Likely designed to capture the immediacy of fast brush lettering in a controllable, repeatable font: high-energy strokes, strong contrast, and swashy caps that add emphasis without requiring extra ornament fonts. The consistent slant and compact proportions suggest an aim toward impactful display setting while retaining an authentic handwritten character.
In the sample text, the strong contrast and narrow set create a dense, punchy texture that holds together well at display sizes, while the active curves and looped forms can become busy when used too small or too tightly tracked. Numerals follow the same brush logic with rounded shapes and tapered strokes, keeping the set cohesive for short numeric callouts.