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Free for Commercial Use

Blackletter Nane 12 is a bold, very narrow, low contrast, upright, tall x-height font.

Keywords: posters, headlines, logotypes, packaging, album covers, gothic, circus, retro, noir, theatrical, display impact, vintage tone, gothic flavor, space-saving, condensed, monoline, rounded corners, high-waisted, vertical stress.


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A condensed, vertical display face with monoline strokes and softly rounded corners. The forms are built from tall stems and narrow bowls, with a consistent, slightly squared curvature that gives counters an elongated, capsule-like shape. Terminals are clean and blunt, and several glyphs show small interior notches and compact joins that add a subtly constructed, hand-drawn feel without breaking overall uniformity. Spacing and rhythm read tight and columnar, producing a strong vertical texture in words and lines of text.

This font is well suited to posters, event flyers, and headlines where a tall, condensed texture helps pack impact into limited space. It can also work for logotypes and branding in gothic, vintage, or theatrical contexts, as well as packaging and cover art that benefits from a distinctive vertical rhythm. For longer copy, it’s best used sparingly as a display accent rather than body text.

The overall tone feels gothic and theatrical, with a poster-like presence that nods to vintage signage and spooky entertainment aesthetics. Its narrow, towering proportions create a dramatic, slightly ominous voice, while the rounded corners keep it approachable rather than aggressive. The result suggests a stylized, retro mood suited to attention-grabbing headlines.

The design appears intended to deliver a distinctive blackletter-leaning presence in a streamlined, modernized silhouette—favoring narrow proportions, uniform stroke weight, and softened corners for reliable readability at display sizes. It prioritizes a strong vertical cadence and recognizable, characterful shapes that stand out in short phrases and titles.

Uppercase and lowercase share a closely related structure, emphasizing a consistent, streamlined silhouette across the set. Numerals follow the same tall, narrow logic, making mixed alphanumeric settings feel cohesive. The design’s strong vertical emphasis can create dense color in paragraphs, so it reads best when given generous leading and used at display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸