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Free for Commercial Use

Sans Rounded Tina 8 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Fox Natalie' by Fox7, 'Frankfurter' by ITC, 'Amostra' by Latinotype, 'Mister London' by Sarid Ezra, 'Frankfurter SB' and 'Frankfurter SH' by Scangraphic Digital Type Collection, and 'Luckiest Softie Pro' by Stiggy & Sands (names referenced only for comparison).

Keywords: kids branding, posters, headlines, stickers, packaging, playful, bubbly, friendly, cheerful, cartoonish, friendly impact, playful display, softening tone, youth appeal, bold readability, soft, chunky, blobby, roundish, bouncy.


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A heavy, rounded sans with inflated, pillow-like strokes and generously softened corners throughout. Forms are compact and sturdy, with broad curves, minimal modulation, and a slightly irregular, hand-shaped feel that keeps the rhythm lively. Counters are relatively small and rounded, apertures tend to be pinched, and joins are smoothly blended, producing a continuous, rubbery silhouette. The numerals echo the same chunky geometry, with simplified shapes and consistent heft for bold display settings.

This typeface is best suited to short, bold text where its rounded mass can do the visual work—posters, headlines, packaging callouts, stickers, and kid-oriented branding. It can also serve for playful UI accents or social graphics, but it’s likely to feel heavy for long passages of small body text due to tight counters and strong visual density.

The font reads warm and humorous, with a kid-friendly, snackable personality that feels informal and approachable. Its bubbly silhouettes and soft terminals suggest lighthearted entertainment and casual communication rather than precision or restraint.

The design appears intended to deliver maximum friendliness and impact through soft, rounded geometry and thick, unified strokes. It prioritizes character and immediacy over neutrality, aiming for a bold, approachable voice that stays legible in attention-grabbing display situations.

Spacing appears comfortably open for such dense letterforms, helping keep the texture from clogging at larger sizes. The lowercase shows simple, single-storey constructions (notably the a and g), reinforcing an informal tone and improving recognizability in playful contexts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸