Sans Superellipse Emmis 9 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Innova' by Durotype and 'RF Dewi' by Russian Fonts (names referenced only for comparison).
Keywords: ui text, product branding, tech editorial, wayfinding, data display, modern, efficient, technical, clean, dynamic, legibility, modernization, geometric voice, efficient ui, oblique, rounded, square-oval, monoline, open apertures.
A slanted, monoline sans with rounded-rectangle (superellipse) curves and squared-off counters that keep the forms crisp. Strokes stay even with low contrast, while terminals are clean and slightly softened, producing a smooth but purposeful texture. The proportions read balanced with a moderate x-height; round letters like O/C/G lean toward squarish ovals, and diagonals in A/V/W/X/Y are direct and taut. Figures are simple and legible, matching the same rounded-square geometry and consistent stroke rhythm.
Well-suited to interface and product contexts where a clean, contemporary voice is needed, especially in labels, navigation, and short paragraphs. The sturdy, rounded-square shapes also fit tech and corporate branding, while the straightforward numerals support dashboards, captions, and light data-centric typography.
The overall tone feels modern and utilitarian, with a subtle forward-lean that adds motion and urgency. Its rounded-square construction gives it a contemporary, tech-adjacent flavor—friendly at the edges but still precise and controlled.
Likely designed to provide an italicized sans that stays highly legible while introducing a distinct geometric signature based on superellipse forms. The goal appears to be a practical workhorse with a contemporary edge—neutral enough for everyday use, but recognizable through its rounded-square construction and steady oblique rhythm.
Spacing appears even and calm in running text, with clear differentiation between similar shapes and generally open internal spaces. The italic angle is consistent across capitals, lowercase, and numerals, helping the style read as intentionally oblique rather than merely slanted.