Sans Superellipse Okloh 5 is a regular weight, very narrow, low contrast, upright, short x-height font.
Keywords: posters, packaging, headlines, logotypes, stickers, playful, quirky, handmade, retro, friendly, humanized geometry, friendly display, retro signage, informal branding, whimsical tone, rounded corners, monoline, condensed, tall, bouncy.
A condensed, monoline sans with rounded-rectangle construction and softly squared curves. Strokes keep a consistent thickness with minimal modulation, and terminals are blunt with generous corner rounding, giving many forms a superelliptical feel. Proportions skew tall and narrow, with compact counters and a relatively small x-height; ascenders and capitals feel prominent. Spacing and widths vary subtly across letters, creating an irregular rhythm that reads like a controlled hand-drawn or marker-made texture rather than a strictly geometric system.
Best suited to short-to-medium display settings where its quirky rhythm and rounded-rect geometry can read as intentional character—posters, packaging, labels, playful branding, and headline treatments. It can also work for UI accents or category labels when a friendly, informal tone is desired, but the condensed proportions and textured rhythm are less suited to dense body copy.
The overall tone is casual and approachable, with a quirky, slightly offbeat rhythm that feels handmade. Its rounded corners and narrow, tall silhouettes evoke a retro-signage sensibility while staying friendly and informal. The texture adds personality and charm, making the font feel lively rather than clinical.
The design appears intended to blend a geometric rounded-rectangle skeleton with an intentionally humanized, slightly irregular finish. It prioritizes personality and a handcrafted feel while maintaining a consistent monoline structure for coherence across uppercase, lowercase, and figures.
Round letters such as O, Q, and 0 appear as softened rectangles, reinforcing the squared-yet-rounded motif across the set. Several joins and diagonals (notably in K, M, W, and X) show gentle asymmetries that contribute to the font’s distinctive, playful voice. Numerals follow the same narrow, rounded-rect geometry for strong visual cohesion with the letters.