Sans Other Myriy 10 is a very bold, normal width, monoline, italic, normal x-height font visually similar to 'Stallman Round' by Par Défaut and 'Block' by Stefan Stoychev (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, game ui, sporty, industrial, techno, aggressive, retro, impact, speed, futurism, ruggedness, display clarity, compact, angular, chamfered, stencil-like, slanted.
A heavy, forward-slanted sans with chunky, monoline strokes and tightly controlled counters. Forms are built from squared geometry with chamfered corners and frequent cut-in notches, giving many letters a semi-stencil, segmented construction. Curves are minimized in favor of flat terminals and angular joints, producing a compact, engineered rhythm; apertures stay narrow and interior shapes tend toward rounded rectangles. Numerals and capitals share the same blocky, slanted skeleton for a consistent, high-impact texture in text.
Best suited to short, high-impact settings such as headlines, posters, packaging callouts, and logo wordmarks where the angular detailing can be appreciated. It also fits sports branding, esports and gaming UI, and tech-themed graphics that benefit from a fast, industrial voice. For longer text, larger sizes and generous tracking will help maintain clarity.
The overall tone is assertive and kinetic, with a speed-and-power feel reminiscent of motorsport, arcade titles, and sci‑fi interface lettering. Its sharp notches and compressed counters add a tough, mechanical edge that reads as tactical and performance-driven rather than friendly or literary.
The construction suggests an intention to deliver maximum impact with a sense of speed and engineered precision. By combining blocky proportions with chamfered cuts and stencil-like interior shapes, it aims for instant recognizability and a bold, performance-oriented graphic presence.
The design relies on distinctive internal cutouts (notably in A, B, D, O, P, Q, R and the numerals), which boosts recognizability at display sizes but can darken quickly in dense passages. The italic slant is strong and consistent, helping headlines feel in motion while keeping a uniform stroke presence across glyphs.