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Sans Other Nemap 3 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Plasto' by Eko Bimantara, 'Muller' and 'Muller Next' by Fontfabric, 'Gotham' by Hoefler & Co., 'Taberna' by Latinotype, 'Lyu Lin' by Stefan Stoychev, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, kids media, logos, playful, friendly, chunky, cartoonish, bubbly, approachability, high impact, playfulness, informality, branding, rounded, soft, compact, lively, informal.


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A heavy, rounded sans with a compact footprint and soft cornering throughout. Strokes are broadly uniform, with gently swollen curves and subtly irregular, hand-cut-like terminals that keep the texture lively rather than mechanical. Counters are generally tight and circular, and joins are simplified and blunt, giving letters a solid, blocky presence. The lowercase shows a tall, prominent x-height with short extenders, and the numerals are similarly stout and simplified for bold display impact.

Best suited to short, bold applications such as headlines, posters, packaging, and attention-grabbing UI moments where a friendly voice is desired. It can also work for simple wordmarks and badges, especially in contexts aimed at families, food, or playful entertainment, where its soft, chunky silhouettes help establish warmth quickly.

The overall tone is cheerful and approachable, with a cartoon-like warmth that feels casual and human. Its chunky forms and soft edges read as friendly and energetic, lending a lighthearted, kid-friendly character while still staying clear at larger sizes.

The design appears intended to deliver maximum impact with a welcoming, humorous attitude, using simplified geometry and rounded, slightly uneven terminals to avoid a sterile feel. It prioritizes personality and display readability over long-form comfort, aiming for a bold, approachable presence in branding and promotional settings.

Round letters like O/C/G lean toward near-circular bowls, while forms such as S and Z keep broad, smooth curves and minimal sharpness. The i/j dots appear as small rounded blobs, reinforcing the playful, informal construction. At text sizes it will visually dominate due to dense color and tight counters, but it remains legible and cohesive in headlines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸