Sans Superellipse Algum 7 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: ui design, app headers, signage, product labeling, dashboards, techy, clinical, futuristic, minimal, precise, systematic design, digital ui, geometric clarity, modern branding, rounded corners, monoline, geometric, squared forms, open apertures.
A monoline sans built from squared, superellipse-like curves and straight strokes, giving most counters and outer shapes a rounded-rectangle feel. Corners are consistently softened, terminals are mostly blunt, and the overall construction favors clear verticals and horizontals with occasional diagonal joins. Proportions are compact and controlled, with wide-radius bowls (O, D, P) and crisp, simplified joins in letters like K, M, and N. Numerals and lowercase echo the same squared-round geometry; forms such as 0 and 8 are notably boxy-rounded, while 1 is a simple vertical with minimal detailing.
Well suited to interface typography, dashboards, and technical product work where a neat, systematic aesthetic is desired. The clear, monoline construction and squared-round forms also fit branding for modern hardware/software, as well as wayfinding or labeling that benefits from crisp, simplified letterforms.
The font reads as modern and engineered, with a calm, utilitarian tone. Its squared-rounded geometry suggests digital interfaces, product labeling, and contemporary systems design rather than humanist warmth. The restrained detailing and consistent curve logic create a clean, slightly futuristic voice.
The design appears intended to translate rounded-rectangle geometry into a cohesive text face with a consistent, modular rhythm. It prioritizes uniform stroke logic, clean spacing, and a distinctive superellipse silhouette to project a contemporary, tech-forward character.
Spacing appears even and measured in text, and the repeated use of rounded-rectangle curves produces a strong visual signature at both headline and short-text sizes. Some glyphs use distinctive squared curves (notably in C, G, S, and 2/3), reinforcing the superellipse theme and giving the face a schematic, grid-friendly rhythm.