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Free for Commercial Use

Sans Superellipse Okrih 9 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Bergk' by Designova and 'MVB Diazo' by MVB (names referenced only for comparison).

Keywords: headlines, logos, packaging, posters, children’s media, playful, friendly, retro, chunky, cheerful, display impact, friendly tone, retro flavor, geometric softness, brand presence, soft corners, rounded, compact, bubbly, cartoonish.


Free for commercial use
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A heavy, compact sans with a strongly rounded-rectangle construction and consistently softened corners. Strokes are uniform and dense, with minimal modulation and generous interior rounding that keeps counters open despite the weight. Curves and terminals resolve into blunt, pill-like ends, and many joins feel slightly pinched or notched, reinforcing a molded, rubber-stamp silhouette. The lowercase is sturdy and broad-shouldered, with simple single-storey forms and short ascenders/descenders relative to the prominent body size, producing a squat, blocky rhythm.

Best suited to short, high-impact settings such as headlines, branding marks, packaging callouts, and poster titling where its dense, rounded forms can read as a single confident shape. It also fits playful or nostalgic contexts (kids’ products, casual events, pop culture graphics) where warmth and boldness are desirable.

The overall tone is upbeat and approachable, with a toy-like, retro display energy. Its rounded geometry reads friendly and informal, leaning toward comedic or youth-oriented messaging rather than serious editorial voice.

The design appears intended to translate superelliptical, rounded-rectangle geometry into an attention-grabbing display voice, maximizing softness and mass for a friendly, punchy look. It emphasizes character and silhouette uniformity over fine detail, aiming for strong recognition at large sizes.

The glyphs show a deliberately chunky texture that holds together as bold shapes, while the rounded rectangular logic remains consistent across letters and numerals. In text, the tight forms and heavy color create an assertive, poster-like presence that prioritizes impact over airy readability.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸